Nan jing de ji du1/23/2024 Baigneuses et Baigneurs, Musée des Beaux-Arts, Lyon, France Un musée à soi, Musée régional d’art contemporain, Sérignon, France (Re)Bâtir, Les Abattoirs / le Centre de détention de Muret, France The Memory Palace, Dacia-Romania Palace, Bucharest, Romaniaįeeling of Light, Almine Rech Brussels, Brussels, BelgiumĮntrée dans la ronde, Frac Nouvelle-Aquitaine MÉCA, France The Echo of Picasso, Museo Picasso Málaga, Málaga, Spain The Echo of Picasso, Almine Rech Tribeca, New York, US The Echo of Picasso, Almine Rech Upper East Side, New York, US La Vitrine, Jean Brolly Gallery, Paris, FranceĬelebrating Picasso Today: Infinite Modernism, Almine Rech London, London, UK UNIVERSAL FOLKLORE / FARAH ATASSI & TRAMAINE DE SENNA, Museum Permeke, Jabbeke, Belgiumįarah Atassi, Michel Rein, Brussels, Belgiumįarah Atassi, Ghebaly Gallery, Los Angeles, USįarah Atassi, Xippas Gallery, Geneva, Switzerlandįarah Atassi, Xippas Gallery, Paris, Franceįarah Atassi, Extra City Kunsthal, Antwerp, Belgiumįarah Atassi, Galerie Michel Rein, Brussels, Belgiumįarah Atassi, Le Grand Café, Saint Nazaire Art Center, Franceįarah Atassi, Le Portique, Contemporary Art Center, Le Havre, Franceĭerelict, Edouard Manet Gallery, Gennevilliers, France (with Stéphanie Cherpin)įarah Atassi & Elodie Lesourd, Les Eglises, Centre d’art contemporain, Chelles, France Ghebaly Gallery, Los Angeles (Online Viewing Room), USįarah Atassi - Oeuvres en dialogue, Musée des Beaux-Arts, Cambrai, France Les Repos des Danseuses, Galerie Xippas, Geneva, Switzerland Resting Dancers, Almine Rech Shanghai, China Mechanical Cabaret, Galerie François Ghebaly, Los Angeles, USĪrtistes et Modèles, Musée Picasso Paris, France Jean-Michel Alberola’s studio, Paris, France School of The Museum of Fine Arts, Boston as part of an exchange program with Ensb-aįrank Jewett Mather Award for Art Criticism, The College Art Association, USAĮNSBA (Ecole Nationale supérieure des Beaux Arts), Paris, France Individual assistance to creation, Ministry of Culture, DRAC Île de France, France Residence at the International Studio and Curatorial Program (ISCP), New York, USA Thus articulated, her painting leaves a little room for wordiness, favoring a form of permanence over the literal expression of the Zeitgeist and his vicissitudes.Ĭonfronted with its own history, the question of the subject quickly vanished in favor of the exploration of the possibilities offered by a history of forms that obviously is necessary unfinished." The tiles of her paintings give an indication of her methodical exploration of these stereotypes : Woman in Profile, Seated Nude, Model In Studio, Still Life With Palette and Roses. Her subjects have now been distilled into the genres and classic stereotypes of the history of painting : these are mostly still lifes and feminine models - never men - who pose seated on rocking chairs, inside a studio or, as the artist indicates, ‘ on set ‘, that is to say inside an action that is certainly minimal yet scripted. As Atassi says ‘ the references and allusions in my paintings are not hints for the educated observer : they are formal propositions that need to be understood in their claim of universality ‘. "First of all, it is important to say that Farah Atassi unabashedly embraces her profound knowledge of and admiration for moderniste painting, from Pablo Picasso and Fernand Léger to Georges Braque.
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